Vision
Vello: “Greg and I were on vacation, snowboarding with our families when we got the brief via a phone call from Nino Jimenez of the Buena Vibra Group. He asked us to design content for Bad Bunny’s world tour, X100 Pre. The tour would cover South America, the U.S. and Latin America, with performances at Coachella and Vina Del Mar.”
Production
Vello: “The first thing we did was develop a shared mood board with the client and their creative team; this later evolved into our production storyboard. Notch was integral during early creative development, and later became a huge part of the live show with thirteen different looks created by three Notch artists.”
Tanner: “We wanted to create a system that was fully controllable in Resolume. Richard De Souza helped us integrate a custom TouchDesigner application that translated and controlled the layer switching and variables. The application took Resolume OSC output data and translated and managed that for the Notch machine.”
Vello: “Utilizing Resolume as the main control surface for Notch worked wonderfully on this project and helped us to utilize the programs we love to the best of their abilities.”
Tanner: “This show has a lot of LED screens all of different shapes and sizes. We were able to stack content for different screens Using Notch’s UV Camera with NDI streaming. Stacking was essential for the eight vertical screens hovering above the stage. We also introduced a custom eye-shaped screen for Coachella. We used rendered and live custom content for this screen to create a seamless look.”
