To realise her vision, Gretl and her small team needed software that was intuitive and reactive. They chose to build and run the visuals in real-time using Notch. This would be the teams first live project using a Notch workflow. In the month run up to the opening, the team tested different visual representations of data using custom 3D motion graphics and IMAG effects.
Live at the opening, exciting and dynamic visualisations of WATSON real-time cognitive data played on a 120-foot screen. In conjunction with this, a 60-foot screen below displayed live art and 'pop & lock' performances from Elastic Shore. The artist’s strokes appeared on screen reacting to the dancers in real-time, all working in harmony with the colourful, dynamic waves of data above.
Art Director Isabel Clavo described her first live project with Notch as 'challenging but fun' and has been anticipating new ways of using Notch: "We have been using it to develop interesting new looks without having to wait for long renders in traditional productions. The 'live' component seems to be its strongest feature. We are still experimenting with alternate uses, including real-time data input to affect the visualizations in interesting ways". For Gretl, experimenting with new technology is part of the fun, "Our team loves the challenge and thrill of working with cutting-edge technologies, and we were especially excited to work with Notch as it gave us the opportunity to show the artist becoming part of the art and data visualizations in real-time".